{"title":"Latest Releases","description":"","products":[{"product_id":"clear","title":"DAIISTAR - Clear","description":"\u003cp\u003e- Limited to 500 copies worldwide\u003c\/p\u003e\n\u003cp\u003e- Download card included\u003c\/p\u003e\n\u003cp\u003e'Clear' is the blissed-out new single from buzzy Austin, TX noise-pop upstarts DAIISTAR and arrives off the back of their highly-praised 2023 debut album 'Good Time' – an 80s\/90s-indebted blend of narcotic noise and melody produced by Alex Maas of The Black Angels and engineered by White Denim's James Petralli. Backed by a Sonic Boom remix of 'Good Time' album track 'Velvet Reality' on the B-side, the neon-pink 7\" is due out May 10th 2024 on Fuzz Club and is limited to just 500 copies.\u003cbr\u003e\u003cbr\u003eHaving spent 2023 touring North America with The Black Angels, The Brian Jonestown Massacre and The Dandy Warhols – including festival appearances at Levitation\/Austin Psych Fest, Desert Daze, SXSW, Freak Out, Treefort and a recent KEXP session to boot – and with a seven-week European tour kicking off in April 2024, 'Clear' is the woozy, reverb-soaked sound of a band on the rise. An unheard cut from the 'Good Time' sessions, DAIISTAR's Alex Capistran (guitar\/vocals) says that \"the idea behind 'Clear' was to write the perfect song for a perfect day. A song that comes to mind on a warm and sunny afternoon; inspiring thoughts of attainable bliss and encouraging you to dream up something nice for your future self.\"\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1) Clear\u003c\/p\u003e\n\u003cp\u003eB1) Velvet Reality (Sonic Boom Remix) \u003c\/p\u003e","brand":"DAIISTAR","offers":[{"title":"Neon Pink","offer_id":45600265797884,"sku":"592737","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/2015948dcdacc9bfaa5e9e9d232994e6.jpg?v=1713820905"},{"product_id":"melts-melts-field-theory-180g-clear-green-vinyl-lp-12","title":"MELTS - Field Theory - 180g Clear Green Vinyl LP 12\"","description":null,"brand":"MELTS","offers":[{"title":"Clear Green","offer_id":46074694795516,"sku":"595768","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/32f3ac52cb9d211e13b44c904dfcb0fd.jpg?v=1719340169"},{"product_id":"the-third-sound-the-third-sound-most-perfect-solitude-180g-frosted-clear-vinyl-lp-12","title":"The Third Sound - Most Perfect Solitude - 180g Frosted Clear Vinyl LP 12\"","description":null,"brand":"The Third Sound","offers":[{"title":"Frosted Clear","offer_id":46074694861052,"sku":"595772","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/1a499f7e5203aeb1736e885ce47c980b.jpg?v=1719340172"},{"product_id":"the-third-sound-the-third-sound-most-perfect-solitude-cd-cd","title":"The Third Sound - Most Perfect Solitude - CD","description":null,"brand":"The Third Sound","offers":[{"title":"Default Title","offer_id":46074695155964,"sku":"595773","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/bc6e02094d46578ddc07c28e5d28477b.jpg?v=1725646871"},{"product_id":"maquina-prata-12","title":"MAQUINA. - PRATA - 12\"","description":"\u003cp\u003e\u003cspan\u003eMAQUINA.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\"PRATA\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e12\" 180 gram Ultra Clear vinyl\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-Available in Ultra Clear or Coke Bottle Clear with Splatter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNew album from Lisbon trio MAQUINA. trades in high-octane beat-led psych, taking cues from krautrock, EBM and techno. \u003cbr\u003eSplatter LP limited to 300 hand-numbered copies. \u003c\/span\u003e\u003c\/p\u003e","brand":"MAQUINA.","offers":[{"title":"Ultra Clear","offer_id":46074695614716,"sku":"595771","price":27.99,"currency_code":"USD","in_stock":true},{"title":"Coke Bottle Clear w\/Splatter","offer_id":46074695647484,"sku":"602126","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/f495e037f1fba621f7b5e067b1f4aba9.jpg?v=1719340194"},{"product_id":"orb-tailem-bend-red-colored-lp-12","title":"ORB - Tailem Bend - Red Colored LP 12\"","description":"\u003cp\u003e140g solid red vinyl, download card included\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLong-awaited new album, 'Tailem Bend', from Australian psych\/stoner rock heavyweights ORB out July 12 on Fuzz Club. Limited edition vinyl available to pre-order on heavyweight red and white swirl vinyl, limited to 500 hand-numbered copies worldwide. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eIt wasn’t meant to be six years between albums for ORB. The Geelong-forged trio last graced us with a studio offering in the form of 2018’s characteristically heady ‘The Space Between’, before touring Europe and America back-to-back supporting King Gizzard \u0026amp; The Lizard Wizard in 2019. But time rarely passes as expected, whether slowed by pandemics, side pursuits or other vagaries of daily life. What’s important is that a fourth album is finally here, with enough byways and trapdoors to keep us well occupied indeed. \u003cbr\u003eSaturated in vintage warmth and depth, ‘Tailem Bend’ showcases ORB’s knack for achieving tuneful hypnosis amidst a dank roominess. It snakes through big, brash riffing as often as it does sun-dappled psych pop, with memorable rhythmic runs and funky wah licks along the way. As signalled by the cover artwork from Parsnip’s Paris Richens – which depicts either a swan or a fish, depending on how you look at it – ORB have returned with an album that rewards taking it in from multiple angles. There’s plenty of the band we know and love, but there’s also enough of the new to prompt a healthy succession of double takes.\u003cbr\u003e\u003cbr\u003eThere are still the inevitable avalanches of fuzz, but also present now are mellower passages and a renewed focus on rhythm and space. It’s not a wholesale departure, but it’s distinctive enough to be reflected in the album title itself. The source? Tailem Bend is a quiet town in South Australia whose name was evocative enough to catch the band’s collective eye on tour. Conjuring images for them of some lost prog act, the name reportedly derives from the Ngarrindjeri word “thelim”, referring to a sharp bend in the nearby Murray River. That made it especially suited to a record that packs many dramatic turns of its own – all without breaking its natural flow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack-list: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1) Tailem Bend\u003c\/p\u003e\n\u003cp\u003e2) Karma Comes\u003c\/p\u003e\n\u003cp\u003e3) Can't Do That \u003c\/p\u003e\n\u003cp\u003e4) Golden Arch\u003c\/p\u003e\n\u003cp\u003e5) Skyclock\u003c\/p\u003e\n\u003cp\u003e6) You Do\u003c\/p\u003e\n\u003cp\u003e7) Morph\u003c\/p\u003e\n\u003cp\u003e8) Commandment\u003c\/p\u003e","brand":"ORB","offers":[{"title":"140g Red","offer_id":46074699874556,"sku":"599071","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/1ff9dba4d40f2b819facf368157628b0.jpg?v=1719340266"},{"product_id":"orb-tailem-bend-cd","title":"ORB - Tailem Bend - CD","description":"\u003cp\u003e\u003cem\u003eLong-awaited new album, 'Tailem Bend', from Australian psych\/stoner rock heavyweights ORB out July 12 on Fuzz Club. Limited edition vinyl available to pre-order on heavyweight red and white swirl vinyl, limited to 500 hand-numbered copies worldwide. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eIt wasn’t meant to be six years between albums for ORB. The Geelong-forged trio last graced us with a studio offering in the form of 2018’s characteristically heady ‘The Space Between’, before touring Europe and America back-to-back supporting King Gizzard \u0026amp; The Lizard Wizard in 2019. But time rarely passes as expected, whether slowed by pandemics, side pursuits or other vagaries of daily life. What’s important is that a fourth album is finally here, with enough byways and trapdoors to keep us well occupied indeed. \u003cbr\u003eSaturated in vintage warmth and depth, ‘Tailem Bend’ showcases ORB’s knack for achieving tuneful hypnosis amidst a dank roominess. It snakes through big, brash riffing as often as it does sun-dappled psych pop, with memorable rhythmic runs and funky wah licks along the way. As signalled by the cover artwork from Parsnip’s Paris Richens – which depicts either a swan or a fish, depending on how you look at it – ORB have returned with an album that rewards taking it in from multiple angles. There’s plenty of the band we know and love, but there’s also enough of the new to prompt a healthy succession of double takes.\u003cbr\u003e\u003cbr\u003eThere are still the inevitable avalanches of fuzz, but also present now are mellower passages and a renewed focus on rhythm and space. It’s not a wholesale departure, but it’s distinctive enough to be reflected in the album title itself. The source? Tailem Bend is a quiet town in South Australia whose name was evocative enough to catch the band’s collective eye on tour. Conjuring images for them of some lost prog act, the name reportedly derives from the Ngarrindjeri word “thelim”, referring to a sharp bend in the nearby Murray River. That made it especially suited to a record that packs many dramatic turns of its own – all without breaking its natural flow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack-list: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1) Tailem Bend\u003c\/p\u003e\n\u003cp\u003e2) Karma Comes\u003c\/p\u003e\n\u003cp\u003e3) Can't Do That \u003c\/p\u003e\n\u003cp\u003e4) Golden Arch\u003c\/p\u003e\n\u003cp\u003e5) Skyclock\u003c\/p\u003e\n\u003cp\u003e6) You Do\u003c\/p\u003e\n\u003cp\u003e7) Morph\u003c\/p\u003e\n\u003cp\u003e8) Commandment\u003c\/p\u003e","brand":"ORB","offers":[{"title":"Default Title","offer_id":46074705674492,"sku":"599070","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/56b5e2034f1b1d4ebfa3e674a78a2c49.jpg?v=1719340465"},{"product_id":"black-market-karma-wobble-red-limited-edition-lp-limited-12","title":"Black Market Karma - Wobble - Red Limited Edition 12\"","description":"\u003cp\u003eBlack Market Karma \"Wobble (Red Limited Edition)\" LP\u003c\/p\u003e\n\u003cp\u003e- 180g Red Coloured Vinyl\u003c\/p\u003e\n\u003cp\u003e- Limited to 300 Hand-Numbered Copies\u003c\/p\u003e\n\u003cp\u003e- Printed Inner-Sleeve\u003c\/p\u003e\n\u003cp\u003e- Includes Download Code\u003c\/p\u003e\n\u003cp\u003eA twelve-track collection of “cassette-ified” lo-fi psych-pop, ‘Wobble’ is the eleventh studio album from Black Market Karma and their first on Fuzz Club. Hailing from London and now residing on the South Coast, BMK’s prolific output is fuelled by band-leader and multi-instrumentalist Stanley Belton who writes, performs, records, produces and up until now self-released everything from his own live-in ‘Cocoon’ studio. Pooling influences from 60s pop and psychedelia, crunchy hip-hop break-beats and lo-fi electronica, ‘Wobble’ is the first of a two-part album series and is due for release July 26th 2024.\u003cbr\u003e\u003cbr\u003eThe album’s title is a reference to tape wobble \/ wow and flutter, subtle fluctuations in pitch characteristic of analogue recording equipment. Where once seen as a limitation by older generations, for others they evoke a welcome sense of nostalgia and that’s what Belton sought to excavate here: “Sonically, I wanted the album to feel like a collection of discarded and worse for wear instruments came to life, refurbished themselves and started to play. The sound is an attempt to give form to the often formless feeling that is nostalgia. With songs attempting to crystallise a feeling known as ‘fernweh’. A kind of longing for a place and time you’ve never experienced, be it in this world or another.”\u003cbr\u003e\u003cbr\u003e“As formats evolved these characteristics were slowly phased out but with this album I was aiming to put them back in through different methods of sound degradation”, Belton says, “reaching for a sweet spot where the sound had a lo-fi flavour but with the punch of a higher quality recording.” Drums are recorded live, run back through guitar amps and pedals and sampled. Vintage guitars are totally warped by effects, with lead bass melodies being run through overloaded Vox guitar amps. All topped with heavily saturated vocals, mono synths, electronic flutes, mallet sounds and a bunch of other instruments and the sort of creative experiments that over a decade spent enjoying total freedom in your own ever-growing DIY studio allows for.\u003cbr\u003e\u003cbr\u003eTrackist:\u003c\/p\u003e\n\u003cp\u003e1 - Mushy Conscience\u003c\/p\u003e\n\u003cp\u003e2 - Oozer\u003c\/p\u003e\n\u003cp\u003e3 - Lead Laces\u003c\/p\u003e\n\u003cp\u003e4 -Waterbaby\u003c\/p\u003e\n\u003cp\u003e5 -Sonic Broth Soul Taster\u003c\/p\u003e\n\u003cp\u003e6 - Puddle Eyed Sponger\u003c\/p\u003e\n\u003cp\u003e7 - Going On Easy\u003c\/p\u003e\n\u003cp\u003e8 - Thin Wild Mercury\u003c\/p\u003e\n\u003cp\u003e9 -The Din of An Ending\u003c\/p\u003e\n\u003cp\u003e10 - Olive\u003c\/p\u003e\n\u003cp\u003e11 - The Death Throes of Nuance\u003c\/p\u003e\n\u003cp\u003e12 - Stepping Loose\u003c\/p\u003e","brand":"Black Market Karma","offers":[{"title":"Red","offer_id":46074706034940,"sku":"596194","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/b8acbff7e09d371159f5ec961ba5d809.jpg?v=1719340477"},{"product_id":"black-market-karma-wobble-bone-colored-lp-12","title":"Black Market Karma - Wobble - Bone Colored 12\"","description":"\u003cp\u003eBlack Market Karma \"Wobble (Red Limited Edition)\" LP\u003c\/p\u003e\n\u003cp\u003e- 180g Bone Coloured Vinyl\u003c\/p\u003e\n\u003cp\u003e- Printed Inner-Sleeve\u003c\/p\u003e\n\u003cp\u003e- Includes Download Code\u003c\/p\u003e\n\u003cp\u003eA twelve-track collection of “cassette-ified” lo-fi psych-pop, ‘Wobble’ is the eleventh studio album from Black Market Karma and their first on Fuzz Club. Hailing from London and now residing on the South Coast, BMK’s prolific output is fuelled by band-leader and multi-instrumentalist Stanley Belton who writes, performs, records, produces and up until now self-released everything from his own live-in ‘Cocoon’ studio. Pooling influences from 60s pop and psychedelia, crunchy hip-hop break-beats and lo-fi electronica, ‘Wobble’ is the first of a two-part album series and is due for release July 26th 2024.\u003cbr\u003e\u003cbr\u003eThe album’s title is a reference to tape wobble \/ wow and flutter, subtle fluctuations in pitch characteristic of analogue recording equipment. Where once seen as a limitation by older generations, for others they evoke a welcome sense of nostalgia and that’s what Belton sought to excavate here: “Sonically, I wanted the album to feel like a collection of discarded and worse for wear instruments came to life, refurbished themselves and started to play. The sound is an attempt to give form to the often formless feeling that is nostalgia. With songs attempting to crystallise a feeling known as ‘fernweh’. A kind of longing for a place and time you’ve never experienced, be it in this world or another.”\u003cbr\u003e\u003cbr\u003e“As formats evolved these characteristics were slowly phased out but with this album I was aiming to put them back in through different methods of sound degradation”, Belton says, “reaching for a sweet spot where the sound had a lo-fi flavour but with the punch of a higher quality recording.” Drums are recorded live, run back through guitar amps and pedals and sampled. Vintage guitars are totally warped by effects, with lead bass melodies being run through overloaded Vox guitar amps. 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Across the album's ten tracks and rapid 26-minute running time, the band revel in an abrasive, fun-as-hell rock'n'roll that will leave your bones rattling just as much as your speakers.\u003cbr\u003e\u003cbr\u003eEmerging out of the rubble of the now-defunct Liverpool bands Weird Sex and Ohmns, YOBS was kick-started in 2022 and is made up of Joey Ackland (Vocals), Alex Smith (Bass\/Vocals), Michael Quinlan (Guitar\/Vocals) and George Gebbie (Drums). Their debut full-length – recorded in four days at Hackney Road Studios with “our master and mate” James Aparicio – arrives off the back of a 2023 spent playing rowdy, ear-ringing shows with the likes of A Place To Bury Strangers, Mark Sultan, C.O.F.F.I.N, Alien Nosejob and more. The songs on the album have been hardened by YOBS' riotous live shows, delivered on the record with a gusto that yearns to be experienced in dingy venues as Ackland writhes around the stage and entangles himself with a mic lead.\u003cbr\u003e\u003cbr\u003e'Fortune Teller', a roller-coaster of high-energy riffs and pounding drums, began life as a warm-up in practice, before evolving live and then being committed to tape. The stomping lead single 'Wasted' was the first song YOBS wrote together and became an instant live favourite, the gang-vocal chorus often screamed back at them by their inebriated crowd. \"This one was inspired by a heavy weekend at a festival I played in another band\", Ackland recalls of the aptly-titled single: \"We had over-indulged a bit and after crawling to a portaloo, I ended up getting stuck in there for what seemed like a year. Every time I tried to leave I couldn’t find my way out. 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Don't look down your nose at us, when you are licking the boots of the royals, waving shitty flags and supporting the likes of Johnson or Trump... Vive la revolution, vive le YOBS!\"\u003c\/span\u003e\u003c\/p\u003e","brand":"YOBS","offers":[{"title":"Black","offer_id":46155796152572,"sku":"595777","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/2d16aead20e15e3af50c37e0e8c9859d.jpg?v=1725646801"},{"product_id":"the-gluts-the-gluts-bang-180g-yellow-vinyl-lp-12","title":"The Gluts - Bang! - 180g Yellow Vinyl LP 12\"","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eItalian group The Gluts are today announcing their new full-length‘Bang!, out May 31st on Fuzz Club. Arriving following 2021’s ‘Ungrateful Heart’ LP, ‘Bang!’ is the fifth studio album from the Milan-based band. “Like the sound of a single gunshot, straight to the heart”, the record is balanced between punchy, fast-paced punk songs and noisy experimentalism, perfectly distilling the strength and energy of their notoriously wild, feedback-blasted live shows. \u003cbr\u003e\u003cbr\u003eLead single 'Cade Giù', out everywhere now, is a two-minute blast of searing psych-punk noise. The Gluts say of the typically hedonistic new single: “Cade Giù (‘Falls Down’) is the first song we've ever written and recorded in Italian and speaks about the blurry reminiscences of the typical after party night during the tour, evoking one wild night spent with our friend and booking agent Gab.”\u003cbr\u003e\u003cbr\u003eThe Gluts is made up of Marco Campana (guitarist), Nicolò J. Campana (frontman), Claudia Cesana (bassist) and Dario Bruno Bassi (drummer). To this date, they have released four studio albums, one live album and contributed to a handful of compilations. Over the last few years they’ve toured heavily around Europe, performed shows in South Africa and USA and appeared at a number of independent festivals including New Colossus, The Great Escape, Eurosonic and more.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Gluts","offers":[{"title":"Yellow","offer_id":46155801526524,"sku":"595770","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/dc81e574b73138c9cd5c7b943db9feda.jpg?v=1725637949"},{"product_id":"beans-beans-boots-n-cats-digipak-cd-cd","title":"Beans - Boots N Cats - Digipak CD","description":"\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eServing up eleven tracks of rhythmic garage-psych goodness, ‘Boots N Cats’ is the third full-length from Melbourne outfit Beans and the first of two albums set for release in 2024. The long-awaited follow-up to 2018’s ‘Babble’ and 2020’s ‘All Together Now’, it’s a record that finds Beans frontman (and The Murlocs drummer) Matt Blach putting percussion at centre-stage. “I’ve always wanted to make a drum-based album, dedicated around the beat first and then everything else follows”, Blach says, explaining his desire to explore “different production approaches, like hip-hop and crunched drums, and show an admiration and appreciation for the likes of The Meters, Wu-Tang and James Brown” as much as the acid-soaked 60s\/70s rock you’d expect.\u003cbr\u003e\u003cbr\u003eWhat emerges from the beat-first approach on ‘Boots N Cats’ charts mutant garage-rock boogies ('Groove', 'Silhouette') and festival tent psychedelia ('Haunted', 'Dreaming Daisy'), by way of blissed-out funk instrumentals ('One To Four', 'Siamese Blundstone'). 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Seeking a cleaner, more direct sound that still captured the whirlwind intensity of their live shows, Black Doldrums' familiar darkwave and shoegaze influences are contrasted here against breezy, shimmering \"goth-pop\" moments.\u003cbr\u003e\u003cbr\u003eThe follow-up to their 2022 debut album 'Dead Awake' stays true to the band's spirit whilst pushing things forward in a way that feels timeless and more meaningful, and brings with it a newfound clarity and lyrical honesty. Delving into themes of regret, loneliness, confusion and obsession, it's little wonder that the album title is 'In Limerence' – a state of intense, all-consuming romantic longing. The band (comprised of founding members Kevin Goddard [guitar\/vocals] and Sophie Landers [drums] alongside new bassist Daniel Armstrong) say of the new album: \"There is a constant theme of trying to find happiness in a confusing modern world. 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Dealing in a hypnotic blend of neo-psychedelia, post-punk and new wave, The Third Sound is a Berlin-based band led by the Icelandic musician Hákon Aðalsteinsson, who is the guitarist in Brian Jonestown Massacre and formerly played in the cult rock’n’roll outfit Singapore Sling. A mainstay of the European psych underground in his own right, not just through his collaborations with the likes of Anton Newcombe and Tess Parks, The Third Sound has been Hakon’s primary solo endeavour since the release of his self-titled debut on Newcombe’s A Recordings a decade ago.\u003cbr\u003e\u003cbr\u003eArriving following 2018’s ‘All Tomorrow’s Shadows’ LP, ‘First Light’ marks an evolution into a brighter and at times uplifting sound. Marrying moments of light and dark, the result is The Third Sound’s most dynamic full-length to date. Talking about the album, Hakon said: “This album is definitely less gloomy than the previous one, although some ghosts from the past are lurking in the background. 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The Men have a work ethic as old school as their rock roots, yet despite the hustle they never appear to be rushing, a contradiction that somehow naturally resolves itself through their music, reconciling with Zen-like balance the raw fury of punk rock with the minimalist austerity of Steve Reich (or, outside of music, Mark Rothko).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘Buyer Beware’ marks The Men’s fifth collaboration with recording engineer Travis Harrison (Guided by Voices, Built to Spill) who, at this point, is finely attuned to the nuances of the group’s dynamics—Nick Chiericozzi (guitar\/vocals), Kevin Faulkner (bass), Mark Perro (guitar\/vocals), and Rich Samis (drums). Recording direct to tape, Harrison captures the raw, confrontational fever of their stage shows without sacrificing their introspective undercurrents. 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Across 40 minutes, it features four extended tracks driven by high-octane motorik beats, scuzzy floor-shaking basslines, noise-filled guitar riffs and screamed vocals immersed in delay and reverb. Wrapped in a lo-fi texture, it’s aggressive, danceable and totally hypnotic. This highly-anticipated vinyl release arrives February 7th 2025.\u003cbr\u003e\u003cbr\u003eMAQUINA.'s vital debut was originally released on CD and download in 2023 via Porto-based label Saliva Diva but it now will receive its first vinyl pressing via their new label home Fuzz Club, just in time for their 2025 touring plans to commence. Since the record's original release the band have toured extensively, building a devout fan-base across Europe and a notorious reputation for their carnal, hedonistic live shows. 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Due for release February 21st 2025 on Fuzz Club, it’s a set of downtempo, repetitive grooves that course through dusty spaghetti-western psychedelia, Tuareg-derived desert-blues, library music and '70s progressive. It’s always cinematic but shot through with trippy, off-kilter moments that bring a sense of alien to the widescreen panoramas here – this is an “oozy, woozy cowboy groove”, as they put it. If it was David Lynch who directed ‘Paris, Texas’ then Ry Cooder’s soundtrack might have sounded something like this.\u003cbr\u003e\u003cbr\u003e“With our previous and first fully instrumental album ‘Dust Moves’ we actually thought we’d only be only taking a little detour from our ‘Fuzz\/Rock Duo’ path to explore slightly more experimental ideas”, Sebastian Haas (guitars\/keys) and Christian Berghoff (drums\/percussion) recall: “But as things came together surprisingly easy and the whole process of making the record just felt very fluid and effortless, we somehow came to appreciate making exclusively instrumental music more and more. It was like a door opening up to a new exciting territory, which we happily embraced. These kinds of tunes just hit a special spot and never bore us at all, quite the contrary, it´s rather inspiring.”\u003cbr\u003e\u003cbr\u003eThough ‘Dust Moves’ was both a musical and thematic excavation of the desert, its follow-up ‘Night Wobble’ wades through less arid surroundings: “Night Wobble can be perceived as the soundtrack accompanying an imaginary story of a journey into the forest after dark, conjuring all the arcane images and strange magic that can happen in the woods at night. 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Pre-order now on coloured vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- - - - - - - - - - - - - - -\u003cbr\u003e\n  \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8rUwOqUhnQA?si=B9beflNskPYEsLT7\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n  \u003cbr\u003e- - - - - - - - - - - - - - -\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBerlin-based post-punk band The Underground Youth, led by Blackpool-born musician and author Craig Dyer, return with their twelfth studio album ‘Décollage’. Self-written, recorded and produced by Dyer, the album is an exercise in artistic deconstruction in both name and form, marking a decisive musical shift. “‘Décollage is the art of creating an image by ripping, tearing away or removing pieces of an original existing work’. 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If its predecessor ‘Nostalgia’s Glass’ (2023) mined a more introspective nostalgia, ‘Décollage’ feels more hauntological in nature – tearing apart and re-transforming what once was in search of a future left spinning from reel-to-reel on warped and distorted old tape.\u003cbr\u003e\u003cbr\u003eAlongside Dyer, The Underground Youth is comprised of drummer and visual artist Olya Dyer, guitarist Leonard Kaage (who also assisted with post-production on the record) and bassist Samira Zahidi. Initially formed as a solo project by Dyer in 2008, the band has sinced released 11 – now 12 – studio albums and 4 EPs, evolving a unique sound that has over the years ranged from cinematic lo-fi psychedelia and raw melancholic post-punk to gothic folk-noir. 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The Black Angels frontman Alex Maas’s hauntingly beautiful vocals bring a dark yet alluring dimension to the sound, elevating each track with his distinctive presence.  “It’s an organic process,” notes Rishi Dhir. “A simple idea can become something monumental when we each put our stamp on it.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA tapestry of vivid third-eye visions and nocturnal serenades, ‘MIIEN’ represents the strength of the band’s collective vision. Each member brings their unique perspective to the table, creating music that is both deeply personal and universally resonant. With its richly textured soundscapes and fearless experimentation, the album bridges the golden age of ‘60s psychedelia with the cutting edge of modern music. 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The Black Angels frontman Alex Maas’s hauntingly beautiful vocals bring a dark yet alluring dimension to the sound, elevating each track with his distinctive presence.  “It’s an organic process,” notes Rishi Dhir. “A simple idea can become something monumental when we each put our stamp on it.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA tapestry of vivid third-eye visions and nocturnal serenades, ‘MIIEN’ represents the strength of the band’s collective vision. Each member brings their unique perspective to the table, creating music that is both deeply personal and universally resonant. With its richly textured soundscapes and fearless experimentation, the album bridges the golden age of ‘60s psychedelia with the cutting edge of modern music. 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Close mic’d to perfection by Mikey Young (Total Control, Eddy Current), these doomy heavy-psych epics swing with demonic swagger and crackle with the static of a menacing future, twisting and churning through loose-limbed riffery.\u003cbr\u003e- - - - - - - - - - - - - -\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/p6n869jhK1Q?si=XODljLuhlbDuiS7V\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"ORB","offers":[{"title":"Blue Green Split","offer_id":47276825018620,"sku":"670533","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0692\/1800\/9340\/files\/4a5216591ba45b4a7a09808c08edf61b.jpg?v=1750800152"},{"product_id":"daiistar-daiistar-fuzz-club-session-cloudy-clear-lp-12","title":"DAIISTAR - Fuzz Club Session - Cloudy Clear LP","description":"\u003cp\u003e\u003cstrong\u003eNew Fuzz Club Session from Austin's DAIISTAR released September 26th 2025. Available on 180g cloudy clear vinyl. Included in the Fuzz Club Membership. \u003c\/strong\u003e\u003cbr\u003e- - - - - - - - - - - - \u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LhsknDLw4Nc?si=zMqxIxMTSK3-wqy5\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e- - - - - - - - - - - - \u003cbr\u003eSince the release of their 2023 debut LP 'Good Time', Austin TX outfit DAIISTAR have spent the last couple of years touring relentlessly and spreading their baggy noise-pop good times across North America and Europe – be that headline runs of their own or tours supporting the likes of Brian Jonestown Massacre, The Black Angels, The Dandy Warhols and LA Witch. When over in the UK in September 2024, they holed up at London's Lightship 95 studio – a floating studio on the Thames – to record this Fuzz Club Session LP, which is set to be released digitally and on limited coloured vinyl on September 26th, alongside a series of videos from the session.\u003cbr\u003e\u003cbr\u003eDAIISTAR's ten-track Fuzz Club Session LP – number 21 in the series – perfectly captures the band’s road-hardened blend of shoegaze, neo-psychedelia and Madchester-inspired grooves, featuring standout tracks from 'Good Time' such as 'Star Starter', 'Tracemaker', 'Parallel' and 'Repeater'. 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Limited to 250 copies. \u003c\/strong\u003e\u003cbr\u003e- - - - - - - - - - - - -\u003cbr\u003e\u003cem\u003eGeelong, Australia-based power trio O.R.B (the Organic Rock Band) return with a brand new 7\" titled ‘Mind Over Matter’, picking up from their long-awaited return after a near six-year hiatus with 2024's ‘Tailem Bend’ LP. Out digitally now and on limited red 7\" September 26th through Fuzz Club, this super limited 45 arrives in support of upcoming North American and European tour dates – O.R.B’s first time playing shows outside of Australia since their 2019 tour of both continents with King Gizzard \u0026amp; The Lizard Wizard.\u003c\/em\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Everything in the world begins with a thought. We get an idea, we think about it, we talk about it, we write it down, we build it and then it exists,” says guitarist\/vocalist Zak Olsen. In this instance we have a new O.R.B tune, a psychedelic rock song inspired by the rhythm and blues and doo-wop of pre-Beatles rock ‘n’ roll – before Coca-Cola, McDonalds and Blackrock came in and fucked it all up. “Music is esoteric in nature, liquid and ever changing. It is alchemical. In futile attempts at capturing this magic we have taken to engraving our music into bits of plastic, trying to present the song within as the ‘definitive’ version… of course this is BS. Nobody from Beethoven to Beefheart could play the song exactly the same way twice even if they tried. So here is a version of our new song ‘Mind Over Matter’. We played it a few times before we recorded it and will play it many times after, and none will ever be quite the same, because that’s music!”\u003c\/em\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn the flip-side is ‘End Times’, which ploughs similarly loose and heady psychedelic-rock terrain but still retains some of that same stoned, saturated riffing that O.R.B have burrowed deep into from the off. 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